Strange Islands.



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My life as a scrapbook.






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But what’s the use of talking! I suspect that all I’m saying now is so like the usual commonplaces that I shall certainly be taken for a lower-form schoolboy sending in his essay on “sunrise”, or they’ll say perhaps that I had something to say, but that I did not know how to “explain” it. But I’ll add, that there is something at the bottom of every new human thought, every thought of genius, or even every earnest thought that springs up in any brain, which can never be communicated to others, even if one were to write volumes about it and were explaining one’s idea for thirty-five years; there’s something left which cannot be induced to emerge from your brain, and remains with you forever; and with it you will die, without communicating to anyone perhaps the most important of your ideas.
- from The Idiot by Fyodor Mikhailovich Dostoevsky.

Image: The Body of the Dead Christ in the Tomb by Hans Holbein the Younger (circa. 1521). This painting is referred to by Dostoevsky in The Idiot.

But what’s the use of talking! I suspect that all I’m saying now is so like the usual commonplaces that I shall certainly be taken for a lower-form schoolboy sending in his essay on “sunrise”, or they’ll say perhaps that I had something to say, but that I did not know how to “explain” it. But I’ll add, that there is something at the bottom of every new human thought, every thought of genius, or even every earnest thought that springs up in any brain, which can never be communicated to others, even if one were to write volumes about it and were explaining one’s idea for thirty-five years; there’s something left which cannot be induced to emerge from your brain, and remains with you forever; and with it you will die, without communicating to anyone perhaps the most important of your ideas.

- from The Idiot by Fyodor Mikhailovich Dostoevsky.

Image: The Body of the Dead Christ in the Tomb by Hans Holbein the Younger (circa. 1521). This painting is referred to by Dostoevsky in The Idiot.

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